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As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared years earlier, she commits to continuing her aunt’s youthful research on the Bièvre, mining the river’s documentary traces in the works of Rousseau, Rabelais, Hugo, Chateaubriand, and the like. She uncovers a history of industry: paper mills, dyeing workshops, tanneries, and textile manufacturers – and laundries. \u003c\/p\u003e\u003cp\u003eShe finds resonances of her own labour in the history of the river’s laundresses. 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This is a writer who can read someone to filth in just one line.\" —Katie Yee, author of \u003ci\u003e\u003ci\u003eMaggie; or, A Man and a Woman Walk Into a Bar\u003c\/i\u003e\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003eIntimate and sharply funny, \u003ci\u003eMy Person\u003c\/i\u003e is a bold debut novel following two lifelong friends who suddenly find themselves in an emotional deadlock when one abruptly proposes to break up after years of subtle betrayals, from Téa Mutonji, author of \u003ci\u003eShut Up You're Pretty\u003c\/i\u003e and one of Canada’s most exciting writers.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBest friends of over twenty years, Tania and Margot are preparing to host their monthly Sunday Loaf dinner party, when Tania tells Margot this isn’t working for her anymore—they’ve been entangled for too long and she wants to \"unknow\" her. 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